The distinc­ti­ve fea­ture of modern sci­ence as an acti­vi­ty rather than as a body of know­ledge is expe­ri­men­tal mode­ling. Through expe­ri­men­ta­ti­on modern sci­ence con­s­tructs models of dif­fe­rent natu­ral pro­ces­ses, and by means of argu­ments based an a prin­ci­ple of pro­por­tio­na­li­ty uses them to reason from known or obser­ved cau­se-effect rela­ti­onships to unknown cau­ses of known effects. Gali­leo Gali­lei (1564—1642) was the pio­neer of such mode­ling in phy­sics (fal­ling bodies), which has sin­ce been exten­ded to che­mis­try (ato­mic models), bio­lo­gy (models of DNA), and even human psy­cho­lo­gy (com­pu­ter mode­ling of cogni­ti­ve proe­es­ses).[7]

Modern sci­en­ti­fic expe­ri­men­ta­ti­on con­s­tructs models of what (it thinks) alre­a­dy exists, to expand kno­wing. The acti­vi­ty of design con­s­tructs models of what (it thinks) might be, to extend making. For sci­ence, models take in or recei­ve and sim­pli­fy com­plex phe­no­me­na, ther­eby dis­clo­sing order. For modern tech­no­lo­gy, or sci­en­ti­fi­cal­ly refi­ned making and using in all their diver­si­ty, models pro­ject com­plex pos­si­bi­li­ties in rea­li­stic form, thus deter­mi­ning or enab­ling the con­trol of power. When this pro­jec­ti­ve mode­ling exhi­bits a con­cep­tu­al break with the final result toward which it is poin­ted, a break to be bridged by ana­lo­gy, it takes on its distinct­ly modern character.

Design models in engi­nee­ring can, for ins­tance, be “true” models, alt­hough more com­mon­ly they are mere­ly “ade­qua­te” or even “dis­tor­ted” and “dis­si­mi­lar.” As one engi­neer has put it, “A dis­tor­ted model is [one] in which some design con­di­ti­on is vio­la­ted suf­fi­ci­ent­ly to requi­re cor­rec­tion of the pre­dic­tion equa­ti­on. Under cer­tain con­di­ti­ons, par­ti­cu­lar­ly whe­re flow of fluids is invol­ved, it is imprac­ti­ca­ble, if not impos­si­ble, to satis­fy all of the design con­di­ti­ons [under a com­mon sca­le].”[8] Like­wi­se, “dis­si­mi­lar models are models which bear no appa­rent resem­blan­ce to the pro­to­ty­pe but which, through sui­ta­ble ana­lo­gies, give accu­ra­te pre­dic­tions of the beha­vi­or of the pro­to­ty­pe.”[9] (This should pro­ba­b­ly be “suf­fi­ci­ent­ly accu­ra­te.”) Ano­ther engi­neer distin­gu­is­hes bet­ween models that are “total­ly direct,” “total­ly indi­rect,” “com­bi­na­ti­on,” “visu­al,” and “com­pe­ti­ti­ve” with each being sui­ted to test dif­fe­rent aspects of a new idea.[10] All such models can be mani­fest in dra­wings, block dia­grams, net­work sche­ma­tics, mathe­ma­tics, phy­si­cal mate­ri­als, and rela­ted sys­tems of representation.[11 . See Mid­den­dort, Wil­liam H. (1986), Design of Devices and Sys­tems. New York: Dek­ker, pp. 156 ff. (Note, in pas­sing, that the posi­ti­ve con­no­ta­ti­ons of “sche­ma­tic repre­sen­ta­ti­on” build on while trans­forming the tra­di­tio­nal nega­ti­ve impli­ca­ti­ons of a “sche­me.”)]

Recep­ti­ve, sci­en­ti­fic mode­ling embo­dies know­ledge; with regard to know­ledge, embo­di­ment neces­s­a­ri­ly ent­ails sim­pli­fy­ing con­cepts. Pro­jec­ti­ve, tech­no­lo­gi­cal mode­ling dis­em­bo­dies action; with regard to action, dis­em­bo­di­ment that lea­ves things out, idea­li­zes them. The for­mer mate­ria­li­zes, the lat­ter dema­te­ria­li­zes. The para­do­xi­cal aim of pro­jec­ti­ve, dema­te­ria­li­zed or idea­li­zed mode­ling is not so much expl­ana­ti­on as prac­ti­cal levera­ge or effec­ti­ve­ness. The pre­sent and its desi­res are cast with gre­at force and power into the future. Becau­se of the com­ple­xi­ty of varia­bles, theo­ry alo­ne can­not be used to dedu­ce, for ins­tance, the shape of an air­foil, or to deter­mi­ne the Opti­mum spa­ti­al arran­ge­ments of ele­ments within a given struc­tu­re. Engi­neers have to “figu­re out” such things by simu­la­ti­on, often employ­ing a varie­ty of models. So they con­s­truct a minia­tu­re, model air­foil and test it in a wind tun­nel (now in a com­pu­ter pro­gram); by means of such acti­vi­ties they are test­ing not some illus­tra­ted theo­ry but a repre­sen­ted arti­fact.[12] For struc­tures, engi­neers crea­te sca­led-down flo­or plans or two-dimen­sio­nal faca­des in order to play with alter­na­ti­ve arran­ge­ments of shapes by means of sket­ched geo­me­tries or mani­pu­la­ted cutouts. In each case the model or mock-up con­sti­tu­tes a tem­po­ra­ry reduc­tion to be even­tual­ly sca­led up in the pro­duc­tion not of know­ledge but of objects. Design uses crea­ted micr­os­ca­le cau­se-effect rela­ti­ons ren­de­red in models to engi­neer known or creata­ble macr­os­ca­le cau­ses into the pro­duc­tion of desi­ra­ble or desi­red macr­os­ca­le effects.[13]


Ausgabe Nr. 18, Frühjahr 2021

Datenschutz-Übersicht
Sprache für die Form * Forum für Design und Rhetorik

Diese Website verwendet Cookies, damit wir dir die bestmögliche Benutzererfahrung bieten können. Cookie-Informationen werden in deinem Browser gespeichert und führen Funktionen aus, wie das Wiedererkennen von dir, wenn du auf unsere Website zurückkehrst, und hilft unserem Team zu verstehen, welche Abschnitte der Website für dich am interessantesten und nützlichsten sind.

Unbedingt notwendige Cookies

Unbedingt notwendige Cookies sollten jederzeit aktiviert sein, damit wir deine Einstellungen für die Cookie-Einstellungen speichern können.